The Faces that Sanjay Yamgar wants us to see through his works look amorphous, barbaric, draconian, decorative, strange, eerie — totally unfamiliar, as if from a different world. Yet, they look like faces, of some human-beastly quality. Some of them seem to be looking at us, the spectator with awe or excitement, some others not impressed by us and engrossed in their drizzy, drooling universe.
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